The Next Big Thing

The current big thing seems to be the Next Big Thing blog tour — you write about your next big project and tag 4-5 other writers, who write about theirs, and so on and on. I was lucky enough to be tagged by the great and powerful Australian writer Andrew Nette. Read his NBT entry, where he writes about about his current big thing, his latest book, Ghost Money, here.

I’ve chosen to write about the book I wrote this summer and with which I am currently serving time in revision hell.

1) What is the working title of your current/next book?
HIPSTER DEATH RATTLE

2) Where did the idea come from?
From the local crime blotter, and from being born and raised in Williamsburg, Brookyln.

3) What genre does your book fall under?
A little thriller, a little suspense, a little noir.

4) What actors would you choose to play the part of your characters in a movie rendition?
Matthias Schoenaerts, Jon Heder, Pauley Perrette, John Leguizamo, America Ferrera, Serena van der Woodsen, Victoria Justice, and of course Ed O’Neill as the cop. No doubt any Hollywood producers will laugh at my suggestions.

Also:
Opening song.
Closing song.

5) What is the one-sentence synopsis of your book?
While a savage machete killer terrorizes a trendy neighborhood, a slacker reporter gets pulled into the investigation of a years-old disappearance.

6) Will your book be self-published or represented by an agency?
My balls are crossed that I will be represented by an agency sooner rather than later.

7) How long did it take you to write the first draft?
Five years of thinking, four months of writing.

8) What other books would you compare this story to within your genre?
In the Heat of the Summer by John Katzenbach (the basis for Kurt Russell’s The Mean Season); A Rage in Harlem by Chester Himes and Slipping into Darkness by Peter Blauner, for how they evoke the City, by which I mean New York, since it is THE City.

9) Who or what inspired you to write this book?
Credit card bills. Also, to be honest, while the crime rate in New York City has steadily dropped for the last 10-15 years, it has increased in my old neighborhood in Brooklyn. You’d think with the radical gentrification that has taken place there that it would be safer than Peoria, but many violent crimes occur there every day. I thought it not only would be a good basis to discuss some of the issues going on in Williamsburg, but also it would be fun to visit those streets again.

10) What else about the book might pique the reader’s interest?
Like Nette’s Ghost Money, Hipster Death Rattle is a crime story but at the same time it’s something else. We live in a world filled with many wonderful cultures, but often those cultures live side by side and never mix, and sometimes, when they do, the mix is volatile. So I want to explore what happens when people in the City are forced beyond the self-imposed cultural blinders they put on. Is that pique-worthy? Hey, there’s also violence. Lots of blood. And there are a couple of funny parts. At least I hope you think so.

And now, to keep the ball rolling, are the writers who’ve been cool enough to let me tag them—

Terrence McCauleyA terrific new pal of mine, McCauley prowls the backroads and alleys of the 1930s and ’40s. Check out his latest brutal story in Atomic Noir.

Katherine Tomlinson. I just e-met the very cool Tomlinson and read her dynamite new anthology Nightfalls, which is very worth your time.

Jimmy Callaway is a writer I’ve been following for a couple of years. He has a tight, visceral style I really admire. Check out his viciously good short “Night Train to Mundo Fine” in Nightfalls.

Keith Rawson is also someone I’ve just met via the ether, and he’s a very dark and feral writer. I recommend his sharply edged short story collection Laughing at Dead Men.

Kate Laity has done a couple of these Next Big Things, but I wanted to give her a nod. She’s very prolific and a wonderful Twitter buddy. Check out her excellent short story “Chickens” in Action: Pulse Pounding Tales Volume 1.

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Guest Blog @ Pulp Curry

In which I guest blog at Andrew Nette’s Pulp Curry. Nette is the author of Ghost Money, a crime novel set in Cambodia, 1996. I’ve yet to read but it awaits me on my Kindle. In my guest blog, I wax on about my entrance in the world of crime fiction. Here is an excerpt.

  • About a decade ago, I was like a lot of writers: I talked about writing but I didn’t scribble a single story. Not a sentence, not a dependent clause, not a word. Then at some point I read a notice from Mississippi Review calling for postmodern noir stories. I had no idea what the hell they meant by that, but I was intrigued by the opportunity, and also my girlfriend at the time wanted me to do something with whatever meager talent she perceived in me.
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Attention: Free Roachkiller!

Roachkiller and Other Stories is FREE today, gratis, costing nada y pues nada y, well, you get the picture, on Amazon. My short story “Hurricane,” a sample from the collection, is also free today, just FYI.

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An Unequivocal Rave for Roachkiller

Roachkiller and Other Stories received a great review in the latest issue of Crime Factory. Thanks to them and to Eva Dolan for her generous review. Here’s an excerpt:

  • Narvaez has a poet’s delight in phrasing and writes with an easy kind of grace, unforced, unhurried, letting his character’s lives unravel at their own pace. And almost without exception they do unravel, circumstances take unexpected turns, good people find wells of darkness inside themselves, double and triple crosses pile up . . . . Roachkiller is an accomplished debut from an author in full and firm control of his voice. Narvaez is definitely a name to watch.
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Get Noirier

Once again I’ll be reading as part of the famous Noir at the Bar series, on Sunday, September 9, 6 p.m., once again at Shade, 241 Sullivan Street, NYC. Other readers include Cindy “Raucous” Rosmus, Alison “Wonderland” Gaylin, Terrence “I Want to be Cuban” McCauley, “Jersey” Jen Conley, Gilbert “Crime” King, “Aweseome”Al Tucher, Jason “Super” Starr, “Gentlemanly” Glenn G. Gray, and, of course, “Teddy Bear” Todd Robinson. Once again, come for the beer, if not the noir!

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Review of “Ending in Paumanok” and Long Island Noir

New World Review just posted a review of Long Island Noir, calling the climax of my story ”Ending in Paumanok” “partly poetic justice and deeply disturbing”:

  • Extortion is also the main event in the R. Narvaez story, “Ending in Paumanok.” Here a Stony Brook University professor coerces her brother-in-law into giving her money. She’s being squeezed, in turn, by one of her students who is also her lover. She might be the academic, but the author makes it clear that she’s not as smart as she thinks. The story has ironic twists. It’s difficult to differentiate between the victims and the victimizers. The climax is partly poetic justice and deeply disturbing.

Read the entire review here.

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Rouge Noir

I’ll be reading from my story “Ending in Paumanok” from Long Island Noir July 12, 6 p.m., as part of Le Poisson Rouge’s Mischief + Mayhem’s Unprintable monthly reading series, which features new work that writers have either refused to publish, been unable to get past industry censors, or finally managed to publish after much difficulty. The event will be hosted by Katie Halper, and I’ll be reading with some of the usual suspects, Kaylie Jones, Qanta Ahmed, and Ken Wishnia. See you there!

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